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Quasar, Quasar, Burning Bright, |
When I first began to write my monthly science piece for The Magazine of Fantasy and Science Fiction… I thought of them as “science articles.” Gradually, however, there came a shift in my thinking and I began to consider them not articles but “science essays”…
An essay is distinguished from more formal expository works by the personal touch. The author does not hesitate to put himself into the essay; in fact, it would scarcely be an essay if he did not…
If you want to write an essay yourself, you will have to:
- Have something to say.
- Cultivate the knack of saying it informally, but saying it.
- Learn to be unself-conscious so that you can get yourself into the essay without blushing or shuffling about uneasily.
Though it’s rather troublesome to get the knack of the essay, once you have it, it is just about the most pleasurable writing there is.
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Science, Numbers, and I, |
This is my sixth book of science essays taken from The Magazine of Fantasy and Science Fiction and published by Doubleday, and in each of these six I have exactly seventeen essays. The question therefore arises—why seventeen?…I own many of these F&SF essay collections, and they sit on the bookshelf right behind me as I write this. My copies are paperbacks that I bought used, often at garage sales. The paper is yellowing and the spines are cracking, but I treasure them nevertheless. I don’t have them all. Much to my annoyance, I don’t own the very first one, Fact and Fancy, although I remember reading a library copy. Now that I’m older and wealthier than when I was 17, I’m thinking of tracking down and buying copies of the ones I’m missing. It would be my way of honoring and thanking Asimov.
Back in 1949, when I set about writing my very first novel, Pebble in the Sky, I asked my editor, Walter I. Bradbury, how long to make it.
He said, “Make it seventy thousand words.”
So I did. Ever since, I have considered 70,000 words as, somehow, the ideal length of a book…
Again, when I started writing science essays for the magazine, I asked Robert P. Mills, then its editor, how long he wanted them. He said, “Oh, about four thousand words.”
So I did that too, and that remains the ideal length in my mind for essays.
Well, then, when I collect my essays into a book, I ask myself: How many 4000-word essays will fit into a 70,000-word book? And I answer myself: Seventeen.
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| The Relativity of Wrong, by Isaac Asimov. |
Under the circumstances, anything anyone can do to redress the imbalance even slightly is important. Heaven knows that for all the high quality of my readership, its absolute number is relatively low; that my own efforts to educate reach perhaps one person out of 2,500.
However, I continue to try and I continue, indefatigably, to reach out. There’s no way I can single-handedly save the world or, perhaps, even make a perceptible difference—but how ashamed I would be to let a day pass without making one more effort. I have to make my life worthwhile—to myself if to no one else—and writing these essays is one of the chief ways in which I accomplish the task.



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